Figlia di Guglielmino

Figlia di Guglielmino for two (La Fia)
For two

Music has:
10 tempi quadernaria
10 tempi bassadanza
5 tempi quadernaria
10 tempi piva

Quadernaria:
1 -- 3 fast sempi, 2 fast continentie (sempi take one beat each, 2 continentie take the remaining beat)
2 -- repeat on other foot
3 -- Drop hands, woman turn to face rear, 2 sempi - man to the front, woman to the rear
4 -- Diagonal Ripresa L, right shoulder pointing towards partner
5 -- Doppio R back to partner, man turning to face forwards at the end

6-10 -- Repeat all

Bassadanza:
1-2 -- Take right hands, 2 sempi (L,R), riverentia L

Pass one another while exchanging places, man going to rear and woman forwards
3 -- 2 sempi (L,R)
4-5 -- 2 doppi (L,R), turn to face the other way at the end
6 -- Ripresa L, turn to the left to face away from each other
7 -- Ripresa R
8-9 -- 2 doppi (L,R), turn to face other way at end
10 -- Riverentia L

Quadernaria:
1 -- Woman doppio L
2 -- Man doppio L
3 -- Woman doppio
4 -- Man sempio L, woman sempio L
5 -- Man saltarello L in a circle on the spot

Piva:
1-3 -- Woman 3 piva (L,R,L) in a circle on the spot
4 -- Man hop
5 -- Piva R
6 -- Sempio L
7 -- Woman movimento
8-9 -- 2 piva (R,L)
10 -- Sempio R

The end.

Ingrata

Ingrata

For 2 men and 1 woman (side by side m-w-m)

In the style of Domenico

Music has:
10 tempi saltarello
4 tempi quadernaria
1 tempo piva
4 tempi saltarello
16 tempi bassadanza
15 tempi saltarello

Saltarello:
1 -- Wait, this is an introductory bar.
2-10 -- 9 saltarelli (starting R)

Quadernaria:
1-2 -- Woman does 4 sempi forward starting with the left foot
3-4 -- Men catch up with 4 sempi

Piva:
1 -- Woman turn to face the other way with 2 fast sempi

Saltarello
1-4 -- All do 4 saltarelli. Men and woman will be going in opposite directions

Bassadanza:
1-2 -- 2 Riprese (L,R), turning 180° to the right

Next part travels back towards each other
3-4 -- 2 Sempi (L,R), doppio L
5-6 -- Turn with 2 sempi (R,L), ripresa R (This is a volta del goioso)
7-10 -- Repeat bars 3-6

In the next 4 bars the men and woman will pass each other and continue on
11-14 -- 4 doppi (L,R,L,R)
15-16 -- 2 Riprese (L,R), turning 180° to the right

Quadernaria:
The first 9 bars of this section travel towards each other, ending in a triangle
1 -- 2 Sempi (L,R)
2-3 -- 2 Riprese (L,R)
4-6 -- Repeat bars 1-3
7-9 -- Repeat bars 1-3

10-12 -- Woman and man to her right circle each other with 3 piva (clockwise)
13-14 -- Woman and other man circle in 2 piva (clockwise)
15 -- All Movimento

The End

Prigioniera

Prigioniera
For a man and a woman

In the style of Domenico:
Music has:
25 tempi bassadanza
8 tempi quadernaria
4 tempi saltarello

Bassadanza:
1 -- 2 continentie (L,R)
2-3.5 -- 3 sempi (L,R,L)
3.5-4.5 -- Doppio R
4.5 -- Riverentia L
5.5-9 -- Repeat above section

10 -- Man goes away from his partner with 2 sempi (L,R)
11-12 -- Man continues away with 2 doppi leading with the same foot (L) (These sound like contrapassi, second double has to be same foot as the first for the feet to work out later on)
13-15 -- Woman move towards her partner with the same steps, but leading with the right. Man turns to face woman at the end of this
Man passes in front of the woman, woman behind to change places with the following steps (Taking hands here is suggested as optional by Domenico)
16 -- 2 sempi (L,R)
17 -- Riverentia L

18-25 -- Repeat 10-17 with roles reversed (woman away with L foot first)

Quadernaria:
1-4 -- 8 piva (starting L)

5 -- Man movimento, woman respond
6 -- Ripresa away from each other (Domenico has passiti away from each other here, but riprese are what we have learnt in the past so I prefer not to change it - other later manuscripts use riprese here)
7 -- Woman movimento, man respond
8 -- Ripresa away from each other

Saltarello:
1 -- Saltarello towards each other and take usual hands
2-4 -- 3 more saltarelli

The end (repeat, woman leading? This dance doesn't specify this but many others do, and most recordings of music go through twice)

Many versions of the music for this dance repeat the first section once at the end, it is shown this way in some of the manuscripts - possibly for the purpose of repeating the dance, or possibly because it is in fact supposed to be danced again at the end